Thursday, July 23, 2009

Rapid Composition - How to Compose a Photo Quickly


Flowers and Rubber Duckie :
1. Oooh! Pretty flowers! They’re down pretty low to the ground, and the wind’s blowing around a lot. I’d better go to Shutter Priority to freeze the movement. So if I’m shooting low, what’s going to be in the background?

2. Well those ducks sure are different! That could make an interesting splash of colour behind the flowers, but it might be cool to blur them in the DOF so it’s not really obvious what they are.

3. Ugh, the pond’s a bit overgrown, and there’s garbage floating in it. Gotta make sure that’s not visible. The low angle and narrow DOF will help that.

4. Alright then, time to get down on the ground and see how it looks through the viewfinder.


Clouds Reflected :
1. Hmmm, the sky’s looking pretty nice at the moment. It would be nice to work that into a shot somehow.

2. That reflective wall of windows is pretty cool too, ahh and they’re reflecting the clouds from the other direction too.

3. It might be nice to use those bushes to frame the shot too, and contrast the blue of the sky.

4. If I go over to that path, I can look right up to those windows and the clouds beyond.


Bricks Before Blue :
1. This building may have potential, but it’s looking pretty bland at the moment, especially with the sun behind the clouds. Those bricks have great texture though, and that wall will be lit from a low angle, which will bring it right out.

2. That curved wall is unusual too, I wonder how I could bring those two elements together, and eliminate all the boring stuff?

3. Maybe a low angle looking up past the curve into the sky could make for an interesting geometric minimalist photo.

Zooming In 1 :
1. Looking good! The sun makes a big difference. The curved lines of the bricks are leading the eye nicely into the centre of the image.

2. This wall is showing the texture I had hoped, and it looks great against the blue. The lines also lead the eye right into the centre of shot.

3. Okay, lets position the top of that wall so it’s entering shot on the bottom third.

4. Now where to put the curved wall? Ok the top edge can just dissappear out the corner, and I’ll put the part where the curve really gets going on the top third line. *click*


Have a look at the result:














Zooming In 2 :
1. This could be tricky to expose, I’d better go a stop under the metered exposure to avoid burning out the sky. I can pull the bottom half back up in Lightroom. So, lets put those windows around the bottom third line.

2. That post can go on the right third line, and I’ll make that my vertical as well.

3. Nice! I can put that large cloud right around the top left thirds intersection.

4. And now we’ve got a cool recursive cloud thing going on in the reflection, and it’s even helping balance the composition around the centre. *click*

Have a look at the result:

10 Elements of Composition in Photography

Pattern :
There are patterns all around us if we only learn to see them. Emphasizing and highlighting these patterns can lead to striking shots - as can high lighting when patterns are broken.


Symmetry :

Depending upon the scene - symmetry can be something to go for - or to avoid completely.
A symmetrical shot with strong composition and a good point of interest can lead to a striking image - but without the strong point of interest it can be a little predictable. I prefer to experiment with both in the one shoot to see which works best.


Texture :
Images a two dimensional thing yet with the clever use of ‘texture’ they can come alive and become almost three dimensional.
Texture particularly comes into play when light hits objects at interesting angles.


Depth of Field :
The depth of field that you select when taking an image will drastically impact the composition of an image.
It can isolate a subject from its background and foreground (when using a shallow depth of field) or it can put the same subject in context by revealing it’s surrounds with a larger depth of field.


Lines :
Lines can be powerful elements in an image.
They have the power to draw the eye to key focal points in a shot and to impact the ‘feel’ of an image greatly.


Framing :
Most of us use ‘frames’ to display our images when we hang them on walls for viewing - however ‘framing’ can be used within the composition of a shot to help you highlight your main point of interest in the image and and/or to put it in context to give the image ‘depth’.


Perspective :
The perspective that a shot is taken from is another element that can have a big impact upon an image.
Shooting from up high and looking down on a subject or shooting from below looking up on the same subject drastically impact not only the ‘look’ of the image, emphasizing different points of interest, angles, textures, shapes etc - but it also impacts the ’story’ of an image.


Space :
There can be a fine line between filling your frame with your subject (and creating a nice sense of intimacy and connection) and also giving your subject space to breath.
Either technique can be effective - so experiment with moving in close and personal and moving out to capture a subject in its context.
Sometimes it is what you leave out of an image that makes it special.


Balance :
The positioning with elements in a frame can leave an image feeling balanced or unbalanced.
Too many points of interest in one section of your image can leave it feeling too ‘heavy’ or complicated in that section of the shot and other parts feeling ‘empty’.


Color :
The colors in an image and how they are arranged can make or break a shot.
Bright colors can add vibrancy, energy and interest - however in the wrong position they can also distract viewers of an image away from focal points.
Colors also greatly impact ‘mood’. Blues and Greens can have a calming soothing impact, Reds and Yellows can convey vibrancy ad energy etc.