BERBUKA BERSAMA KWN2…

Slmz..

Hu3..baru tghari dh cite pasal berbuka..ek3..(ade aku kesah??)

Hu3..arini grup wan J(grup aku la tu..) & Grup uncle akn berbuka pose bsame2…tmpt yg aku dh war2kn pada entry yg lepas..Hu3..Kali ni aku req kat sume peserta..hik3 tuk pkai baju kaler biru…x kesah la biru ape..Janji dlm gurp kale biru..hu3..hrp2 plan nie mnjadi…aminnnn

Arini pas 1st split break aku kene g SOGO AGAIN!!! sbb nk tukar jeans yg aku bli 060909 aritu..pinggang suar ok..tp part peha tu..alamak!!!!! mcm sarong nangka da…hu3…

Terbaca plk aku kat resit dieorg..

“if nk refund must within 14wdys comes with price intact & reciept..”

Pergh!!!..mujo la aku ade smpn lg price die..kalu x??…pkai kat umah aje la jeans tu…hu3..

Pas g SOGO aku akn blk umah dulu tuk amik camera & g klcc by LRT ajo…x jem & lebih mnjimatkn mase…kalu grk pkol 1845 pon smp klcc dlm pkol 1905..its take only around 20mints 4 me to arrive there..hu3

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6 TECHNIQUES TO REDUCE CAMERA SHAKE

1. ELBOWS IN :
As often as possible pull your elbows in to your body and exhale completely before depressing the shutter. When you’re working with a wide aperture or low shutter speed (or both), even a breath can introduce shake. Pulling your elbows tight to your body can really help keep you steady. I also press my elbows firmly into my chest for even greater stability.








2. Raise Your Left Shoulder :
I am definitely a right eyed photographer, but this tip that I learned from “The Moment It Clicks” by Joe McNally, requires that I shift for a moment to my left eye. What I’m doing here is raising my left shoulder, and bracing my left elbow into my rib-cage (no arrow for this one). For further stability, you can pull your right elbow in to your chest. As always, exhale completely before depressing the shutter to avoid introducing shake.








3.Create a tripod with your knee :
You can create your own tripod by resting your elbow on your knee while in a seated position. Again, bring that other elbow in for greater support.















4. LAY DOWN :
These two images illustrate perhaps the most obvious way to avoid shake without a tripod. Lie flat and let the lens sit directly on the ground. The problem with this is that you’re likely to have quite a downward tilt to the lens and unless you’re aiming to photograph the pavement, you probably won’t end up with the shot you’re hoping for. In the first image you’ll notice that I placed my hand flat against the cement and balanced the lens on top of it to give myself some height. In
the second image you’ll see that I created a fist with my hand to give myself even greater height.



5. THE MACHINE GUN HOLD :
This next technique is sometimes referred to as the machine gun hold. I rarely use this technique as I find it awkward and difficult to maintain for more than a second or two. Just because it doesn’t work for me, doesn’t mean it won’t for you. . . give it a try.











6. CRADLE IT :
In this next image you’ll see that I created a sort of cradle for the lens between my shoulder and my wrist. I also stabilized the hold by balancing my elbow on my knee.

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15 Inspiring Underwater Images :

Okies..Nie nk update plk camne nk capture undewater nyer picture…

So bleh la gune teknik nie..ENJOY…

Skuba Diving - Moment

It’s slowly warming up in my part of the world (Australia) and with a vacation planned to Northern parts of the country I’m looking forward to some underwater photography. Here’s some underwater shots that we gathered a couple of years back here at DPS to get in the mood.

Shark & Flower & hand..

Fish & Obor2

Rumpai laut(kot..ek3) & Sea Lion..

Swimming time…

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Photographing Children in their Element :

First things first – the prep! Remember to advise the parents accordingly. Always plan for enough time; i.e. you might need 2-3 hours for very young children (nursing / snacks / breaks), and anywhere from 1 to 2 hours for older children. It is not fair to assume that a child will participate and collaborate in the same way a grown-up would. You must adapt to them, and not vice-versa.

I strongly suggest starting a session in a familiar place for the child/children; i.e. their home, a favorite beach or park, and then moving locations if desired. When you show up to the session, do not immediately start taking pictures. You will have to gain the child’s and the parents’ trust before anything truly magical happens. I usually sit and chat with the grown-ups for a few minutes and then gently start interacting with the child/children.

Remember to slow everything down. I usually ask the parents to step out of the room or of immediate sight (not in back of me…) as I start interacting with the children, camera in hand. Avoid at all cost the mom or dad standing in back of your telling their child to smile and look at the camera! This is another major pitfall! Talk to the children, but most importantly, listen to them (you will inevitably come away from each session a little bit wiser if you do!). Let the magic happen!

1. Get down to their level and you will understand their world: crouch, lie down, sit, etc. They will also feel more at ease if you are looking at them from their height.
2. Ask them questions and get them talking or thinking. Ask them to tell you their favorite story or show you their favorite toy/rock, etc.
3. Let them guide you through the photo session and don’t fool yourself into thinking it’s the other way around. Suggest ideas and encourage things but be flexible.
4. Patience, patience, patience.
5. Have fun! I assure you, you will!

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